Mécanique de l'archet de violon : lien entre évolution et répertoire musical
Frédéric Ablitzer, Nicolas Dauchez, Jean-Pierre Dalmont,Nelly Poidevin.............................. A        F

Imitations of bells:
Correspondence between bell acoustics and the onomatopoeic texts
Rytis Ambrazevičius, Renata Balsienė...................................................................................... A        F

Tunings of Lithuanian Skudučiai
Rytis Ambrazevičius, Rūta Žarskienė........................................................................................ A        F

Piano et chanson(s) : enjeux sonores et symboliques
Michaël Andrieu, Cécile Prévost-Thomas.................................................................................. A        F

Implications of Ableton Live for improvisationally-based electronic music practice
Melvin Backstrom, Elisa Negretto.............................................................................................. A

Approche d’une signature sonore stravinskienne :
Qualités acoustiques de l’instrumentation
Marie-Cécile Barras, Boris Doval............................................................................................... A        F        +

Singing proficiency is associated with our ability to entrain to a beat
Magdalena Berkowska, Simone Dalla Bella............................................................................... A

Expression du timbre au piano :
Contrôle gestuel, acoustique, perception et verbalisation
Michel Bernays, Caroline Traube............................................................................................... A

Modern Disappearance
and Postmodern Rebirth of the Çeng (Turkish Harp)
Şehvar Beşiroğlu, Ali Ergur........................................................................................................ A        F

Les cordes demi-filées dans la pratique musicale de la viole de gambe
Charles Besnainou, Christophe Coin......................................................................................... A

Les harpions – questions organologiques et musicales :
quel(s) réglage(s) pour quel usage sur les harpes anciennes aujourd’hui ?
Charles Besnainou, Véronique Musson-Gonneaud.................................................................. A

Frettage du `ūd (luth arabe) dans la théorie musicale arabe
et influence sur la pratique
Amine Beyhom, Hamdi Makhlouf ............................................................................................ A        F

Sounding aesthetics and recorder chamfers
François Blanc, Philippe Bolton, Pierre-Yves Lagrée, Benoît Fabre......................................... A

Theatrical Expressivity of Berio’s Sequenza  for Viola:
Levels of Communication
Blanka Bogunović, Tijana Popović Mladjenović, Ivana Perković............................................. A        F

Le support sonore comme instrument de musique chez Christian Marclay
Bruno Bossis, Christian Marclay, Frédéric Dufeu.................................................................... A        F

A study of fret positions of tanbur
based on automatic estimates from audio recordings
Barış Bozkurt , Ali C. Gedik, Cem Çırak.................................................................................... A        F

Approches culturelles et mécaniques dans le choix des bois en facture :
cas des archets anciens
Iris Brémaud, Nelly Poidevin.................................................................................................... A        F

God vibrations! The Indian vina,
a sustained sound concept and a symbol of cultural identity
Philippe Bruguière, Sandie Le Conte........................................................................................ A

Les nouvelles lutheries :
une reconfiguration de la notion d’instrument ?
Caroline Cance, Hugues Genevois, Danièle Dubois................................................................. A        F

Re-configuring ancient greek music theory through technology:
an adaptative electronic tuning system on a reconstructed ancient greek barbiton
Martin Carlé, Anastasia Georgaki............................................................................................. A        F

Inharmoncity, timbre and pitch perception in the pipa
Shin-Hui Lin Chin, Jonathan Berger........................................................................................ A

Instruments à frettes et nouveaux accordages (micro tunings)
Pascale Criton, Caroline Delume.............................................................................................. A        F

Integral Curve versus Separate Bell.
New Aspects on the Construction Modes of Crumhorns
Beatrix Darmstädter, Dietmar Salaberger................................................................................ A        F

Céramiques sans fond et tambours préhistoriques :
reconstitutions et interprétation
Hélène Dauvier, François Moser.............................................................................................. A        F        +

The McGill Digital Orchestra:
Interdisciplinarity in Digital Musical Instrument Design
Sean Ferguson, Marcelo Wanderley........................................................................................ A        F

Lutherie Tools : un exemple d’outil d’aide à la lutherie
Jean-Marie Fouilleul, François Gautier, Vincent Doutaut...................................................... A

Instruments expérimentaux et sens haptique
François Foulon, Franck Jedrzejewski..................................................................................... A        F

Acoustical correlates of violin timbre descriptors
Claudia Fritz, Ian Cross, Alan F. Blackwell, Brian C.J. Moore,
Eugene Feygelson, Jim Woodhouse........................................................................................ A

L’impact des archets de violons sur la qualité sonore résultante
en situation de jeu musical
Pascal Gaillard, Nathalie Spanghero-Gaillard, Marie-Pierre Berton...................................... A

Analyse du fonctionnement acoustique du Cristal Baschet
François Gautier, Frédéric Bousquet, Jean-Loïc Le Carrou,
Eric Boyer, Benoît Lemoine..................................................................................................... A

Contribution à l'analyse du rôle acoustique et vibratoire
du cordier de violoncelle
François Gautier, Eric Fouilhe, Walid Wasmine, Victor Becard, Yann Molle....................... A

Instrumental choreography
in David Gorton’s Capriccio for solo cello
David Gorton, Simon Shaw-Miller, Neil Heyde...................................................................... A        F

Double bass playing techniques and settings
in Paris from the 18th to 20th century
Michael Greenberg, Anne Houssay......................................................................................... A

Maurice Martenot. La poudre de l'enchanteur
Ivan Guillot, Valérie Hartman-Claverie, Stéphane Vaiedelich............................................... A

“Beethoven Piano Sonatas:
From Fortepiano to Harmonic Pedal”
Nancy Lee Harper, Tomás Henriques..................................................................................... A        F

Des instruments pour l’enfant,
ou des instruments de musique tout simplement ?
Jean Jeltsch, Dominique Vasseur............................................................................................ A

E-Motion at the Instrument:
An Essay in Visualization of Emotional States of a Performer
Ildar Khannanov, Florida G. Khannanova.............................................................................. A        F

The impact of psychological preparation
on the vocal performance
Vaike Kiik-Salupere, Jaan Ross............................................................................................... A

Effects of Instrument on Tonal Structure (Pitch Content)
of Selected Works by Johannes Brahms, Camille Saint-Saëns,
Paul Hindemith, and Dmitri Shostakovich
Kerri Kotta, Jonne Kotta......................................................................................................... A        F

La guitare électrique comme instrument augmenté
et outil de création musicale
Otso Lähdeoja, Benoît Navarret, Santiago Quintans, Anne Sèdes........................................ A        F        +

Entre l’Orient et l’Occident,
« Transformations et survivances du luth monoxyle »
Jean Lambert, Christian Rault................................................................................................ A

Peut-on envisager une organologie des traitements sonores temps réel,
instruments virtuels de l’informatique musicale ?
Serge Lemouton, Raffaele Ciavarella, Alain Bonardi............................................................. A        F

Investigating the history of the piano action using scientific calculus:
The case of an Érard grand piano from 1802
Adrien Mamou-Mani, Thierry Maniguet................................................................................ A

Violin playing techniques and settings in early 20th century
Edouard Martin, Anne Houssay............................................................................................. A

Étude perceptive et dynamique de la guitare électrique
Benoît Navarret, Jean-Loïc Le Carrou, Anne Sèdes, François Ollivier, Yo Fujiso................ A

Piano Performance as Choreographic Practice in the Moving Image
Imogene Newland, Conan McIvor, David Bird...................................................................... A

The musical instrument as a natural extension of the musician
Luc Nijs, Marc Leman, Micheline Lesaffre............................................................................ A        F

“Sound and timing must be perfect.”
Production aspects of the human beatboxing
Triinu Ojamaa, Jaan Ross...................................................................................................... A

Bodies as (Critical) Instruments: Biomusic and its Discontents
Gascia Ouzounian, R. Benjamin Knapp................................................................................. A

Digitizing Panamanian Mejorana Music:
New MIDI Instruments for Composers
Emiliano Pardo-Tristán, Sandra L. James............................................................................. A

La cithare chinoise qin, contextes de jeu et enregistrement
François Picard, Marie-Hélène Bernard, Sun Ko-Shu.......................................................... A        F        +

Rabeca reborn: the revival of the Brazilian fiddle
and the Historical Performance of Music
Acácio Tadeu de C. Piedade, Luiz Henrique Fiaminghi........................................................ A        F

Modernist representations of the guitar
and the instrument’s classical revival in the 1920s
Ruth Piquer Sanclemente, Michael Christoforidis................................................................ A        F

Traditional Orchestral Japanese Music:
The Correlation between Time and Timbre
François Rose, Jaroslaw Kapuscinski................................................................................... A        F

Le sampleur : de la machine à l’instrument
Vincent Rouzé, Maxence Déon............................................................................................. A        F        +

Investigating instrumental repertoire following the technique of parataxis:
A case study
Haris Sarris, Michalis Kostakis, Tassos Kolydas.................................................................. A

Drawing a parallel between the gaida (bagpipe)
and the Zonarádikos line dance through Statistics
Haris Sarris, Agelos Velegrakis, Tassos Kolydas.................................................................. A 

The player and the instrument:
Analysis of bowing gestures in violin and viola performance
Erwin Schoonderwaldt, Lambert Jun-Yuan Chen............................................................... A

Balance – brillance – nostalgie :
des inventions d’instruments d’orchestre vers 1880
Gesine Schröder, Elisabeth Sasso-Fruth, Lu Wollny........................................................... A        F

Design and make a novel music instruments “Sorahi”
Mohammad Reza Shajarian, Shabnam Ataei....................................................................... A

Design and make a novel music instrument “Bam-Saz” (Bass Satour)
Mohammad Reza Shajarian, Shabnam Ataei....................................................................... A        F

The influence of the ‘full-Böehm’ system instrument
on the development of a Brazilian clarinet repertoire
Fernando José Silveira, Eliete Figueira Batista da Silveira.................................................. A

Changing Baglama Performance in Urban Culture of Turkey
Erdem Simsek, Ozan Anlas.................................................................................................... A

Sensorimotor synchronization in IF,
a 5-year-old drummer prodigy
Jakub Sowiński, Simone Dalla Bella, Ilona Laskowska........................................................ A

The Cretan lyre: an ethnomusicological and music acoustics approach
Irene Theodosopoulou, L. Chartofylakas, M. Bakarezos,
I. Orfanos and N.A. Papadogiannis....................................................................................... A        F

The nonlinear membrane of Chinese flutes:
its impacts on timbre and performance techniques
Chen-Gia Tsai, Wolfgang Auhagen, René Causse................................................................. A